The Olympus Pen E-P1 is 16 years old this year. So is my personal one. A first gen micro-four-thirds camera, it's specs don't compete nowadays, but I've always loved holding and using this camera. There is something really satisfying about it. Especially paired with a pancake lens. When I upgraded to a newer, fancier camera, I just couldn't part with the E-P1. I've had the vague intention of converting it to become a full-spectrum camera for almost as long as I've had it. Ever since reading about how that is a thing that actually exists, and that it's an easier process with the mirrorless cameras, because you don't need to recalibrate the focus afterwards. Guess what. I've finally gotten around to doing it.


Front view of a mostly silver camera, done in a retro 1960s PEN camera style, with black hand grip and lens cover.

Front photo of an Olympus Pen E-P1
Photo by [personal profile] chebe



Firstly, what is a full spectrum camera? Basically, digital cameras are sensitive to more wavelengths on the electromagnetic spectrum than human eyes are. This makes their images look wrong, so the manufacturers put a filter (the hot mirror) in the cameras to remove the unwanted ultraviolet and infrared 'noise'. (Early mobile phone cameras didn't have this, back when you could use them to see if the LED on your remote controls lit up when you pressed a button.) But you can get some very interesting photos without this limitation.

And it seems a lot of people agree with me, because multiple businesses have started up to provide these conversions, and filters. Which makes things a whole lot easier for me. Now I can just buy the correct specific replacement glass for my camera from places like;

Kolari internal filters for DIY
Life Pixel internal filters for DIY

There is however a bit of a problem with the age of my camera. It has fallen out of the memory of the internet. I can no longer find the guides I had seen before. I did find Life Pixels E-P3 conversion tutorial, but the E-P3 is not exactly the same as the E-P1. I dug through some old forum links, and found Digital-Photography.pls E-P1/E-P2 conversion on The Way Back Machine. It has some good pointers, and high resolution images, but also a lot of 'like usual', 'like last time', and 'check my previous tutorials' (which also don't explain). Nonetheless, armed with both tutorials, I dived in, figured it out, and recorded the whole thing. What follows are (found footage) stills of my adventure. To make it easier for whomever follows. At their own peril.



Required tools


- Phillips head screwdriver, mine was size 1.4x40mm,
- Thin tweezers,
- Air blower,
- Soldering iron,
- Anti-static and safety precautions.

If changing the hot mirror, you'll need;
- the replacement glass,
- glass cleaning cloth.


Preparation


Remove the lens, battery, sd card, and hot shoe protector.


Case Disassembly


ExpandDetails )


Body Disassembly


ExpandDetails )


Hot Mirror Assembly Disassembly


ExpandDetails )


Re-assembly


Do everything in reverse.



Result


If everything goes well the camera will look just like it did before. Except for when you look at the hot mirror without a lens in place. With the original hot mirror you see the light filtering appearing as colour, typically red. With the clear glass that colour is gone.

ExpandBefore and After )

Many hours after removing that first screw I was relieved to have my camera still working, and displaying very interesting colours. Green plants are orange. A sunny day is light orange. An overcast sky is reddish-orange. A snow filled sky is very pink. The evening sky is much brighter. And that's just with natural light. Candles burn purple-red. Does it really matter if I have two washers/spacers left over and no idea where they came from? *cough*

The next step for me is to get some external filters to see what else the world holds for my camera. And possibly some external (safe) UV/IR light sources, for more forensic explorations.
Okay, okay. I didn't get disposable cameras to practice film photography. No, I got them to cannibalise the lenses.

You see, I saw KickThePj's video 'Taking Retro Photos with DIY Camera Lens', and fell down a rabbit hole. Mathieu Stern was the first person I could find doing this, in his video 'How to Make a Lens from a Disposable Camera (90s film look)'. Which dpreview helpfully wrote up for people who don't do videos; 'summary of Mathieu Stern's video'.

The plan is to take these cheap plastic lenses off the disposable cameras once you've shot the roll of film, and fit them to your regular digital camera. This should give a simple, in-camera, way to get that more 90s look, with soft focus and light aberrations.

ExpandDetails )


Photograph of the new lens attached to an Olympus Pen E-PL8 camera.

When set, attach to camera and use
Photo by [personal profile] chebe



My results differ to those of the creators in the videos above. I believe they're both using full-frame cameras, whereas I'm using micro-four-thirds cameras.

The main difference is that where they seem to have a focal length of about 1.5 metres to infinity (Kodak says 1m-infinity), I'm seeing that the focal point is about the length of my arm, around 50-70 centimetres. Which is about half that of my prime lens.

I'm also seeing less chromatic aberration, and not really seeing any warping around the edges. One benefit of my particular make of micro-four-thirds cameras is that they have in-body image stabilisation. Which gives me hope that this lens will work well with videos.

Here are some examples, with no modifications in post (except resizing).

ExpandPhotos with disposable camera lens on digital camera )

The first thing I notice, in comparison to the unaltered disposable camera is the colour grading; my digital camera is much cooler. Next it's that the digital camera is still much sharper / is more high-definition. Even with the difficulties with the focus length. For a more direct comparison I went back to the woods, and took more tree photos attempting to get closer to that warmer, more 90s look. I took the photos below in RAW, and with my cameras Vintage I filter. Which is closer, but more of an over-exposed 70s look to my eye.

ExpandMore photos with disposable camera lens on digital camera )

This, while not entirely successful, was an interesting experiment. I did try changing the focal length by gluing another lens so that it sits flush with the lens cap, so that the image would be closer to the camera sensor, in the hopes of finding a sharper position, but that made the focal issues even worse, so I'll spare you the details. Mostly it proves to me that I need to learn more about the maths behind optics.

But one thing that did work really well was using these new lenses with extension tube rings (for my micro-four-thirds camera). What these do is give you different combinations of length that moves the image further from the sensor, which makes the image larger (at the cost of cutting off the edges). Which means I now have a quite affordable macro lens. (And which has already come in useful.)

When all is said and done, this sense of being able to experiment with otherwise prohibitively expensive equipment, is very liberating. I am unlikely to be able to improve on the work of the specialists, but I can have fun learning, and maybe create some accidental impressionistic art along the way.
So picture it. (Or simply remember it.) A pandemic has struck, and lockdown implemented. You are now cut off from all your activities, socialising, friends, as they take place an hour's bus ride (or flight) away. The internet is your only connection. You have a desktop computer, but no webcam. And webcams are sold-out everywhere. What do/did you do?

I was quite lucky, in many ways, but specifically here in that a year before the pandemic I had upgraded to a rather fancy digital micro-four-thirds camera. And it just so happened to be one of the few that the camera manufacturer had enabled with not just HDMI output, but clean HDMI output. They posted an article detailing how to steam video with some Olympus cameras. Following the guide I got a HDMI capture device. (Or rather two; I got on a waiting list for the expensive kind, and ordered a UKĀ£10 version from ebay.) And a HDMI-to-micro-HDMI cable.

And for a few video chats my friends had to look at me in 4K. At least for a couple of hours, until the battery died. See the camera can be charged over USB, but not while actually in use. And the manufacturer does not sell a mains adapter for my model of camera. So I ended up buying the first webcam that came into stock.

Several months go by and I have acquired a 3D printer. I am browsing the internet for things I can do with a 3D printer and I find an article on camera tools which has some cool things, but as I browse the wider 3D printed camera stuff category I come across the concept of printing dummy batteries, to be able to use any size battery with your camera. I even found one for my exact battery, in the Olympus OM-D BLS-50 Dummy Battery. The instructions on assembly are on the original model. But my experience was not as smooth as that.

ExpandProcess )

This project has made me see the full potential of 3D printing. We're not just making our own pet projects. We can build things to add functionality that is not available at any price to the things we already own. And propagate it to the entire world. Okay, I get it now.

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