Busy hands | Disquiet mind

Another rare moment folks. Seamwork's Emma is a princess seamed bodice dress, with a swooshy A-line skirt. It has fake lacing in the back, and closes with an invisible side zip. The bodice is fully lined, which means I have to make two bodices, and sew them back to back. So many little pieces! This took a while.

( Details )

Seamwork Emma dress, finished, front view
Photo by chebe

It's a dress! Actually, it's the Crepe dress I started two years ago! (You can find previous posts with the tag gerties crepe sew along.) The astute among you will notice a couple of things.

Firstly that it's finished. I didn't want to risk posting another in-progress update in case I put it down and ignored it again for another few months. But yesterday was the annual Crafters Sugar-overdose Night (which has unofficially become the TOG Christmas party), and I was determined to have something to show at it. So despite my intense hatred for hemming I spent all of Sunday doing just that, and felt the relief of actually finishing something. This is my first (non-costume) dress, so I now feel justified in calling myself a 'dressmaker'!

As Craft Night is directly after work I ended up wearing my dress to work. It was a peculiar experience. I have never worn a dress to work before, not even when I worked in retail. Skirts sure, but not a full dress. Being the middle of winter I made one concession, the stockings were swapped for leggings, so please excuse the bagginess in the photos.

Secondly, oh observant followers, you'll have noticed that you've never seen this fabric before. Indeed, the project came to a rather definite halt when I gave up on the fitting and was about to cut the fashion fabric and realised that the fabric wouldn't work well with this dress design. Time passed, and I happened on an online fabric sale. The moment I saw this fabric I knew the dress was back on!

Here, let me do a twirl for you! (These photos are not instagrammed, just shot in poor, yellow, light. That first photo was taken with flash and shows the colours better.)

( Photos! )


Did you spot the pockets? Pockets! Such wonderful inventions. Okay, since this was a sew-along I should talk a bit about the actual construction. The lovely patterned crepe is rather translucent, so it is underlined with black polycotton, which gives it a nice (but slightly stiff) body. Although, the hand-basting took such an impossibly long time that in future I will be saving this technique for particularly special gowns.

This was also my first time doing facings, and it was an adventure. The points on the neckline could have been done better. And my interfacing was so delicate that I melted a few pieces with the iron. That took getting used to. And they are so light that they have to be tacked down in several places to stop them flipping out. (That is one advantage of the underlining; I can tack to the lining without having the stitches visible on the outside.)

My usual method of seam construction is straight-stitch finished with overlocker. In some places, like the skirt side-seams with the pockets, I had to leave the seams open, so I overlocked both sides. Speaking of pockets; I initially put them in the wrong way around. So I had to cut them out and put them back the right way around. Silly mistake, and reminds me to not sew when I'm tired.

Other than that my skirt is 62cm long measured from the waist seam. The ties don't want to lay flat and keep compacting, and there seems to be a bit extra fabric in the body, but I figure that's part of the pattern. I am glad I spent so much time working on getting the fit just so, because this really is a very comfortable dress to wear. (Like it was made for me or something :P )

( Here are some shots of the inside of the dress )

Okay, that's that. *dusts off hands*