Vogue V1944 is, well, I'm not sure how to describe it. It's a strange woven collection of bias cut skirt, with two dropped shoulder shirt-inspired top options, one both fitted and cropped. I was interested in view b; the boxy oversized shirt.

But being a Vogue pattern, sizing is not straight forward. The measurements corresponding to the sizes are only shown on the envelope flap (not visible in the online envelope scans), and the useful finished garment measurements are typically only to be found on the pattern tissue itself. Being at the edges of the size range is quite risky. Last time I made a Vogue, I found the sizing ran large, and that a size 22 was the better starting point for me. Which is just as well, as size 22 is the maximum size available for this pattern. A size 22 is given as bust 112cm, waist 94cm. This would not fit me. But I'm looking at a boxy oversized shirt. So, I took the gamble. Turns out the finished garment measurements for view b are bust 132cm, waist 128cm. This is 20cm and 34cm of combined wearing and style ease. That should be plenty.

Details )

Photo of a boxy shirt with shorter than full length sleeves, in a white and yellow daisy print on solid black, front view buttoned closed (except for top two buttons) with bottom-to-top buttons; purple, blue, green, yellow, orange, red, and black, showing how the print doesn't match across the closure, hanging from a grey hanger against a white wardrobe.

Finished, front
Photo by [personal profile] chebe

Seamwork's Elmira, cropped cardigan, again. I like v.2, but let's make it more. Firstly, downsizing to the XL. (Third time tracing out this pattern.)

Secondly, let's colour block! Measure the centre-back, divide in three. Mark similar measurements at all the side seams. Notice how they don't line up, and rough out some compromise with gently curved lines. Trace out (for the fourth time) the colour blocked pattern pieces with seam allowances. Shorten the sleeve length to better fit the visual balance. Lengthen the cuff piece to fit.

Details )

Photo of a short jersey cardigan, with pink top, purple middle, and blue lower sections, and grey lining, with deep-v overlapping front pieces, closed with three small buttons (pink, blue, blue) on each side seam at the waist, hanging from a black hanger against a white wardrobe.

Finished, front
Photo by [personal profile] chebe

Seamwork's Elmira is a close fitting, cropped cardigan, in a ballet wrap style. I have previously made the front-tie variation, but didn't like the (lack of) front coverage. On top of having made v.1 in only a size L, and with a knit fabric with insufficient stretch, it wasn't comfortable to wear.

Coming back to the base pattern, I wasn't vibing with the bulk of the wraps, nor the excessive amount of fabric that goes into them. Then I noticed that the inner layer is kept closed with two buttons and button loops, and resolved to have both sides close in the same way, eliminating all ties. And this time in a size 2X.

Details )

Photo of a short black knit cardigan, with deep-v overlapping front pieces, closed with three small buttons (pink, blue, blue) on each side seam at the waist, hanging from a black hanger against a white wardrobe.

Finished, front
Photo by [personal profile] chebe

We're making Megan Nielsen's Tania culottes, view D, again (v.1 here).

But this time we'll make them to actually fit as intended, high waisted and everything. To solve the between sizes issue we'll use Curve size 20 for the front, and size 22 for the back, to the length of the size 20.

We'll be using a bright purple linen, Gütermann thread colour 392. And we'll need an invisible zipper (in black) for the side seam, cotton stay tape to reinforce the pockets, and stiff fusible interfacing for the waistband.

And that's it really. Started by overlocking the raw edges, and it sewed up very quickly. This fabric takes a press very well, so the super narrow hem came out lovely. The missing pleat marking on my pattern did trip me up again, momentarily.

These are delightful in hot weather. I'm still not sold on high waists in general, but can admit it does work lovely here. The swish, the colour, the in-seam, so far so good.

Photo of A mid-length pair of culottes in purple linen, hanging from a black hanger against a white wardrobe.

Finished, front
Photo by [personal profile] chebe

Me Made May 2025

2025-May-31, Saturday 09:00 pm
Another MeMadeMay has come and gone. It was an especially hot May around here. I usually prefer clothing for layering, and when I have to not do that I find it difficult to convey personality with a minimal number of items. I did at least try to incorporate more of my makes, trying new combinations, styles. To variable success. But I'm skipping ahead, first the pledge;

"I, chebe, pledge to wear at least one me-made/-repaired/-altered item each day throughout May 2025.
I also pledge to prioritise finishing my in-progress alterations and repairs."

Previous years; 2021, 2023, 2024.

1st - 4th )

5th - 11th )

12th - 18th )

19th - 25th )

26th - 31st )

Conclusions? I managed all but two days this year. These were days when I just couldn't anything. I'll forgive myself. Let's analyse.

data )

So I need to make more short sleeve t-shirts, joggers, trousers, and vest tops. Also felt a lack of layering pieces by way of loose shirts and light cardigans (smart and casual), and I just want jeans (still working up to it). I also seem to have worked my way back to preferring slightly more fitted clothing again. Tenting t-shirts and tops will no longer be tolerated. Which is an issue with my Seamwork loyalty. Their style tends to be more 'modern' with a-line tops. And it just doesn't work well for me. But some of this can be mitigated by favouring fabrics with more drape.

On the other side, I got through about half my mending backlog, and all my non-t-shirt alterations (including some for relatives). And I only made two new items this month, which have been on the to-do list for a while. All in all, calling this a success.
One day, some time ago, I found myself in London, on a rather hot day, failing to find the shop I was looking for. I popped into a second-hand shop, for a little respite. And stumbled upon this unusual item that seemed like a cross between a playsuit and a jumpsuit. An item I would not normally wear. But the print of the fabric called to me. And the prospect of expanding my warm weather wardrobe seemed like a rather urgent one. I tried to try it on, but failed. The waistband, that looks like it's shirred, is actually not stretchy at all. The width of the item seemed to fit me, but I couldn't get into it to check. I figured I just needed to put in a zip, and bought it.

Details )


Photo of the original playsuit; sleeveless scoop neck, four buttons over the bust centre-front, a heavily top-stitched waistband panel, and straight knee-length hems, in an abstract tropical print of seamfoam green, chartreuse yellow, purple, light and dark blue, with black detailing, hanging from a black hanger against a white wardrobe.

Finished, front
Photo by [personal profile] chebe

McCall's M8479, woven short skirt pattern with faux-wrap options. I previously made the 'base' skirt, without any of the wrap options; v.1. Now it's time to wrap.

Details )


Front view of a black woven a-line skirt, with one gusseted pocket with flap and black clip buckle and webbing, and the right hand side wrap piece, which has four knife pleats, is strapped closed by way of the gunmetal d-rings on the left hand side, hanging from a black hanger, against a white wardrobe.

McCall's M8479, view b, finished, front view with wrap closed
Photo by [personal profile] chebe

The problem with focussing on repairs and alterations is that there is rarely anything significant enough to blog about. But I'll try and highlight the pieces that involve a bit more work as they happen.

Like these dungarees shorts. Details )


Photo of front view of black denim dungaree shorts, with triangles of black linen inserted into the side seams, hanging from a black hanger against a grey curtain.

Altered dungarees with additional side seam width
Photo by [personal profile] chebe

McCall's M8479 is a woven short skirt pattern with faux-wrap options. I was having a hard time understanding how all the pieces went together, so I made a 'base' version of the skirt with the most common pieces and without any of the wrap choices, which isn't technically an option provided. It is closest to View A, but without the over-wrap half skirt (read on for explanation of this).

But first, why a skirt pattern? Well, simply, I need basic/versatile skirt options to fill a gap in my wardrobe. And this skirt pattern has a fly front zipper, which I haven't tried before. Skirts use less material even than shorts, so it's a lower stakes way to practice. And I really couldn't figure out what they were doing, without examining the pattern pieces closely. Curiosity, basically.

Details )


Front view of a grey woven a-line skirt, with a button closed overlapping waistband, fly front zipper, and slanted patch pockets, hanging from a black hanger, against a white wardrobe.

McCall's M8479, finished, front view
Photo by [personal profile] chebe

Base layers. Not the cold weather kind, but the kind that protect you from your clothes, and your clothes from you. Made from a, well, slippy-er, fabric, this could be part of a slip. But as it is, it's just a camisole. Perfect for under tops like shirts, where unruly buttons might cause embarrassment. To reduce a certain degree of clinging, and nuisance bodily fluids. And foiling transparency. But not something I would consider wearing on its own.

Details )


Front view of black jersey camisole, with black lace along the edges, and in the straps, hanging from a pale grey hanger against a white wardrobe.

Hush-A-Bye camisole, finished, front view
Photo by [personal profile] chebe

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