The Hazel Skirt is a hi-lo full skirt, with different length and waist options. I went with the high-waist, without the straps, with the shorter length skirt. I toiled the waistband, in size Mushroom, and then cut out a size Diamond.

Details )


Front view of a shiny black pvc skirt with a high corset-like waist (coming to a v-point centre-front) over a full skirt with a shorter hem in front and longer in back, hanging from a black hanger, against a white wardrobe.

Hazel skirt, finished, front view, in black pvc
Photo by [personal profile] chebe

Things might seem a bit more random for the next while. I've been trying to not buy more fabric, which means I'm digging into my, sometimes quite old, stash, and working on projects I've been meaning to get to for some time. Particularly underwear.

Simplicity S9857 is a knit loungewear set, with trousers, cardigan, and bralette. Knits do not lend themselves to toiles, so instead we're going with hopefully-not-too-bad first versions.

Details )
Butterick B6902 is a woven trousers and waistcoat/vest pattern. The trousers also come in shorts length, as View C. (Which is a great way to fit trousers without using too much fabric.) They have slash pockets, a faced waistband, belt loops, and a side invisible zipper. This adventure begins with a toile.

Details )


Front view of mid-grey shorts, with waistband, slash pockets, and two belt loops, hanging from a black hanger against a white wardrobe

B6902, view C, shorts, finished, front view
Photo by [personal profile] chebe

Seamwork Mel joggers, v.4

2024-Sep-25, Wednesday 12:00 am
A while back I had an idea; "Very late pandemic meets teetering on the edge of another world war, and leaving the house is increasingly difficult." Which translates to a combat/cargo trousers amount of pockets, a punky/gothy number of superfluous bondage straps, but make it pandemic formal.

Details )


Front view of black French Terry joggers, with two slash pockets, two patch pockets, and four black d-rings with four blacks, hanging from a black hanger, against a white wardrobe.

Finished Mel joggers, front view
Photo by [personal profile] chebe

After making the Aberdeen t-shirt I still have plenty of that Spoonflower fabric left over, so I figured I'd try something more suitable to its weight, like a skirt for layering.

I don't actually have a skater skirt pattern. Or instructions for how to draft a flared knit skirt. So taking inspiration from the many I've worn over the years I attempted to draft my own skater skirt.

Details )


Front view of a short skirt with a narrow waistband, made from a thick jersey with a pattern or pale purple, green, and pale yellow planets and stars against a faded black base, hanging from a black hanger against a white wardrobe

Skater skirt, finished, front view
Photo by [personal profile] chebe

Seamwork's Aberdeen is a batwing style long t-shirt with a v-neck that I've made before (v.1, v.2). I am happy with the fit of v.2 so did the same size L with no sleeves again.

The special bit about this version is the fabric. For this year's Worldcon, Glasgow2024, Sara Felix designed a bunch of prints and made them available on Spoonflower. I chose the Black Armadillo Planet in Organic Cotton Knit, medium-weight interlock knit, 215g per sq metre (Estimated shrinkage: 2-4% in length and 6-8% in width). I'd forgotten what interlock is like, this is a bit stiff for a regular t-shirt, but at least this t-shirt isn't meant to be fitted.

Details )


Front view of a short sleeved v-neck t-shirt, made from a thick jersey with a pattern or pale purple, green, and pale yellow planets and stars against a faded black base, hanging from a red hanger against a white wardrobe

Seamwork Aberdeen, finished, front view
Photo by [personal profile] chebe

I guess this is a disassembly, modification, repair, upgrade type project? Basically, I got a keyboard during lockdown. It's my first 'proper' programmable mechanical keyboard. But the switches I actually wanted were permanently out of stock so I settled for Cherry Blacks. Which are fine? But since getting other keyboards I realised how not enjoyable this is for me to use. That's the thing about owning a soldering iron though, you can change things.

Details )
Step 12; When happy, replace the top case frame, and add keycaps of your choice. Enjoy improved typing experience. And next time you want to try different switches you won't need the soldering iron.

(This isn't perfect. The case is so full that the bottom case seam (under the space bar) bulges open. And I broke some of those clips holding the top case frame on. Removing it isn't something you want to do often. But it really does feel better. More solid to type on, less hollow sounding. It feels noticeably heavier. And the switches are much more to my taste. Actually enjoying using this keyboard again.)


Photograph of fully reassembled keyboard, with top case frame back in place, with Sewing Tin caps in white, shades of blue, and yellow.

Reassembled upgraded keyboard
Photo by [personal profile] chebe

George + Ginger's The Teen Spirit Top is undeniably my go-to top pattern. This is v4, but basically the same as v3; size 14, regular length, straight hem, with neckband. But no sleeves this time (other than the included drawn-on/dropped sleeve).

For the fabric I'm using old t-shirts. More specifically the backs of very old t-shirts I had cut up, to use the fronts in a quilt. Which, I hope, will get done sometime in my lifetime.

Details )


Front view of a short-sleeve t-shirt in slightly faded black t-shirt fabric, with a centre seam, and unusual circular seams at the centre-front neckline and on the sleeves, hanging from a white hanger against a white wardrobe

Teen Spirit short sleeve top, made from old t-shirts, finished, front view
Photo by [personal profile] chebe

The Secrets of Sewing Lingerie by Katherine Sheers and Laura Stanford, is lovely little book with a luxurious feel. It goes over the small details often overlooked on how to sew, and decorate, delicate undergarments. To this end it includes a selection of patterns, that come on folded paper, as a pull-out from the book.

Details )


Front view of black jersey vest, with black lace with pale pink detail down the side seams, along all the edges, and in the straps, hanging from a pale grey hanger against a white wardrobe

Hush-A-Bye vest, finished, front view
Photo by [personal profile] chebe

Okay, okay. I didn't get disposable cameras to practice film photography. No, I got them to cannibalise the lenses.

You see, I saw KickThePj's video 'Taking Retro Photos with DIY Camera Lens', and fell down a rabbit hole. Mathieu Stern was the first person I could find doing this, in his video 'How to Make a Lens from a Disposable Camera (90s film look)'. Which dpreview helpfully wrote up for people who don't do videos; 'summary of Mathieu Stern's video'.

The plan is to take these cheap plastic lenses off the disposable cameras once you've shot the roll of film, and fit them to your regular digital camera. This should give a simple, in-camera, way to get that more 90s look, with soft focus and light aberrations.

Details )


Photograph of the new lens attached to an Olympus Pen E-PL8 camera.

When set, attach to camera and use
Photo by [personal profile] chebe



My results differ to those of the creators in the videos above. I believe they're both using full-frame cameras, whereas I'm using micro-four-thirds cameras.

The main difference is that where they seem to have a focal length of about 1.5 metres to infinity (Kodak says 1m-infinity), I'm seeing that the focal point is about the length of my arm, around 50-70 centimetres. Which is about half that of my prime lens.

I'm also seeing less chromatic aberration, and not really seeing any warping around the edges. One benefit of my particular make of micro-four-thirds cameras is that they have in-body image stabilisation. Which gives me hope that this lens will work well with videos.

Here are some examples, with no modifications in post (except resizing).

Photos with disposable camera lens on digital camera )

The first thing I notice, in comparison to the unaltered disposable camera is the colour grading; my digital camera is much cooler. Next it's that the digital camera is still much sharper / is more high-definition. Even with the difficulties with the focus length. For a more direct comparison I went back to the woods, and took more tree photos attempting to get closer to that warmer, more 90s look. I took the photos below in RAW, and with my cameras Vintage I filter. Which is closer, but more of an over-exposed 70s look to my eye.

More photos with disposable camera lens on digital camera )

This, while not entirely successful, was an interesting experiment. I did try changing the focal length by gluing another lens so that it sits flush with the lens cap, so that the image would be closer to the camera sensor, in the hopes of finding a sharper position, but that made the focal issues even worse, so I'll spare you the details. Mostly it proves to me that I need to learn more about the maths behind optics.

But one thing that did work really well was using these new lenses with extension tube rings (for my micro-four-thirds camera). What these do is give you different combinations of length that moves the image further from the sensor, which makes the image larger (at the cost of cutting off the edges). Which means I now have a quite affordable macro lens. (And which has already come in useful.)

When all is said and done, this sense of being able to experiment with otherwise prohibitively expensive equipment, is very liberating. I am unlikely to be able to improve on the work of the specialists, but I can have fun learning, and maybe create some accidental impressionistic art along the way.